英语动漫家单词制作卡片

❶ 动漫设计与制作英文怎么写

LS中式英语自重...

comic可以manufacture吗？
manufacture作为制造是工厂里那种指具体的产品制造，要知道这个词如果用在回文化产品上的话是答“粗制滥造”的意思啊！

另外，动漫设计与制作只是天朝自己瞎编的专业名称，基本都是动画制作，根本没有漫画，英文中没有这种说法，外国的相关专业叫做Animation Design,动画设计，以设计为主，主要教艺术表现手法方面的东西，而不单单是制作...

❷ 帮忙用英语译出来：本作品用FLASH CS6多媒体软件制作一个动画短片，FLASH是一个优秀的绘图与动画制作软件

This work is making an animated short film by FLASH CS6 multimedia software, FLASH is an excellent graphics and animation software. Make a Heartbeatanimation effects through the use of text, pictures and other key frame animation.

❸ 想制作英语动画片字幕，但有的单词听不出来，怎么办

1.如果是关键词，就得想办法把它译出来。

2.但是翻译大多情况个别单词不会影响内句子的理解，而容且根据上下文也可以猜出大意，所以译不出来，就翻译整个句子的大意吧。

3. 或者尝试多听几遍，根据语境可以听出来的。

❹ 看两部动漫英文电影。学习里面20个单词。（做一张英语海报）3年级孩子

。动漫电影抄，，，，，美动画袭电影吧。。疯狂动物城，超能陆战队这之类的吧，毕竟3年级。这能看下去还不一定能不能行。单词就挑里面的比较日常的词就行啊。估计让他自己挑肯定不行。。。。话说这是什么任务感觉对3年级孩子难度太大

❺ 动漫的英语单词是什么

动漫：animation

读音：英 [ˌænɪˈmeɪʃn]美 [ˌænəˈmeʃən]

具体释义：n.生气，活泼；动画片制作，动画片摄制；[影视]动画片；

复数：animations

例句：

1、.

动画片尤其精采,而且一年比一年好看。

2、This course teaches the fundamentals of creating imaginative andinteresting characters for all gaming and animation.

课程教授角色设计基础知识,即为游戏及动画片创作富有想象力的,有趣的角色。

(5)英语动漫家单词制作卡片扩展阅读

anime

读音：英['ænɪmeɪ; 'ænɪmə]美['ænɪme]

n. 日本动漫；芳香树脂

例句：

1、Withananimecharacter,youcanlikeone characteronedayand a different character the next.

不过对于动漫人物，你可以今天喜欢一个，明天喜欢另一个

2、And you’re about to enter the world of its creator, Hayao Miyazaki, the grand master of Japanese animation, or anime.

这个诡异的岗哨就是豆豆龙。 这时候你将进入它的创造者-日本动漫鼻祖宫崎骏的世界。

3、Thebestofa novelisnot necessarilythesame asthe bestofananime.

对一部小说来说最适合的东西不必和一部动画中最适合的东西相同。

❻ 英语翻译 1.动物卡片 2.NBA明星卡 3.动画卡片

Animal Card NBA Star Card Cartoon Card

❼ 求儿童英语动画片卡由(Caillou)的英文字幕（对白）。

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❽ 卡通片是carton,那么制作它的人英文是

叫
导演
英文:Director
日文:监督(Kanntoku)

❾ 求有关动漫的英语单词

1)adaptation (改编)
e.g. Their indivial adaptations permit them to get the food, water, and shelter they need to live.

2)scenario (编剧)
It is a synoptical collage of an event or series of actions and events.
e.g. Scenario was awarded the European Language Label for its role in establishing innovative connections between the performing arts and foreign language ecation as well as striking new paths towards performative teaching and learning.

3)exterior (外景)
e.g. In topology, the exterior of a subset S of a topological space X is the union of all open sets of X which are disjoint from S.

4)properties (道具)
e.g. Promote your UK film location property for film, TV and photo-shoot opportunities.

5)dissolve (渐隐)
In the post-proction process of film editing and video editing, a dissolve is a graal transition from one image to another. The terms fade-out and fade-in and are used to describe a transition to and from a blank image.
e.g. This lesson demonstrates how the new Film Dissolve transition compares with the existing Cross Dissolve transition.

6)high angle shot (俯拍)
In film, a high angle shot is usually when the camera is located above the eyeline.
e.g. High angle shots in Hitchock's films often occurs when the main character come to a realization of some terrible truth.

7)montage 剪辑
It is a technique in film editing in which a series of short shots are edited into a sequence to condense space, time, and information. It is usually used to suggest the passage of time, rather than to create symbolic meaning as it does in Soviet montage theory.
e.g. Montage is a toolkit for assembling Flexible Image Transport System (FITS) images into custom mosaics.

8)mixing (混录)
It is the process by which multiple recorded sounds are combined into one or more channels, most commonly two-channel stereo.
e.g. The process is generally carried out by a mix engineer, also called mixing engineer, or mixer, though sometimes it is the musical procer, or even the artist, who mixes the recorded material.

9)bbing (配音)
Dubbing is the post-proction process of recording and replacing voices on a motion picture or television soundtrack subsequent to the original shooting.
e.g. We will help you make your content work around the world with expert bbing, voice-over, subtitling, translation and post-proction.

10)postsynchronization (后期录音合成)
The technological development that most liberated the sound film, however, was the practice known variously as postsynchronization, rerecording, or bbing, in which image and sound are printed on separate pieces of film so that they can be manipulated independently.
e.g. Postsynchronization enabled filmmakers to edit images freely again.