最藍的眼睛英語在線閱讀

1. 跪求最藍的眼睛英文版

你好！
最藍的眼睛
The bluest eye

2. 《最藍的眼睛》中主人公的分析

《最藍的眼睛》是一部悲傷的悲劇小說，該小說敘述了主人公皮科拉·布里德洛瓦所受到的虐待和遭遇。皮科拉是一個年輕的美國女孩子，她的母親早就知道她的這個非常黑的女兒將來長大後不會是一個吸引人的女孩。小說的故事發生的時間是1940年，小說的第一人稱是克勞蒂亞·麥克蒂爾，她比皮科拉小兩歲，是皮科拉惟一的朋友。在一個白人占統治地位的時代，作為黑人的皮科拉開始相信：如果自己的皮膚是白色的，那麼她的生活就會美好得多，而且她還把藍色的眼睛視為是一個白人的象徵。她眼看著自己的父親喬利·布里德洛瓦隨著夢想的破碎而逐漸變成了一個暴徒，而且作為一個非裔美國人，父親也不斷地因為其出身而他遭受挫折和羞辱；她的母親波林則進入了一家清潔而整齊的白人家庭做女僕。
在一個春天的下午，當皮科拉的父親喝完酒回家後，就強暴了皮科拉，那時，家中只有她和她父親兩人。當父親再次強暴皮科拉之後，她懷孕了。由於身心遭受傷害，皮科拉更加渴望逃避現實，於是她拜訪了騙子牧師邁卡·伊萊休·惠特科姆——邁卡在有名的索阿菲德教堂擔任牧師，皮科拉請求邁卡給她一雙藍色的眼睛。為了錢，邁卡聲稱自己可以幫助皮科拉實現她的理想，但條件是，皮科拉必須首先為他執行一個任務。邁卡早就想除掉一隻生病的老狗，於是，他給皮科拉一塊有毒的肉，讓皮科拉拿這塊肉去喂那隻老狗，並欺騙皮科拉說，只有這樣她才實現自己的願望。當皮科拉眼看著那隻老狗吃了有毒的肉之後在地上痛苦地掙扎並最終死去後，她嚇壞了。
這次的驚嚇，再加上前面的被強暴事件，這一切地遭遇使得皮科拉變瘋了、使得她完全喪失了與現實的接觸。皮科拉認為，她的確已經擁有了一雙藍色的眼睛，而且還幻想自己擁有一個親密的朋友，這個朋友總是不離自己左右，並時分珍視自己，因為自己擁有世界上最藍的眼睛。

3. 一段英語閱讀的翻譯！懇請各位英語超贊的親幫我翻譯一下！ 快快快~

不要認為一起吃飯是個有趣的社交活動。的確，很多情況下我們一些有趣的社交活動版都是圍繞著美食，比如權跟朋友一起吃飯聊天。事實上，你跟朋友也有很多其他的社交活動。比如一起去踢球或者打球，這期間你也可以吃點小吃，但是關鍵並不在吃東西。所以說健康生活不再是個難題。

好別扭，文章的主題沒弄懂。。要不就是小學生寫的。

4. 哪裡有小說《The Bluest Eye》（《最藍的眼睛》）的英文下載

http://www.google.co.uk/search?hl=en&q=The+Bluest+Eye+online&btnG=Search&meta=

5. 最藍的眼睛英語論文怎麼寫

the bluest eyes

6. 急需關於《最藍的眼睛》（the bluest eye）的英文評論

這是節選：其他見http://www.luminarium.org/contemporary/tonimorrison/bluest.htm

The Bluest Eye': notes on history, community, and black female subjectivity

by Jane Kuenz

In Toni Morrison's The Bluest Eye, the Breedloves' storefront apartment is graced overhead by the home of three magnificent whores, each a tribute to Morrison's confidence in the efficacy of the obvious. The novel's unhappy convergence of history, naming and bodies--delineated so subtly and variously elsewhere--is, in these three, signified most simply and most crudely by their bodies and their names: Poland, China, the Maginot Line. With these characters, Morrison literalizes the novel's overall conflation of black female bodies as the sites of fascist invasions of one kind or another, as the terrain on which is mapped the encroachment and colonization of African-American experiences, particularly those of its women, by a seemingly hegemonic white culture. The Bluest Eye as a whole documents this invasion--and its concomitant erasure of specific local bodies, histories, and cultural proctions--in terms of sexuality as it intersects with commodity culture. Furthermore, this mass culture and, more generally, the commodity capitalism that gave rise to it, is in large part responsible--through its capacity to efface history--for the "disinterestedness" that Morrison condemns throughout the novel. Beyond exempting this, Morrison's project is to rewrite the specific bodies and histories of the black Americans whose positive images and stories have been eradicated by commodity culture. She does this formally by shifting the novel's perspective and point of view, a narrative tactic that enables her, in the process, to represent black female subjectivity as a layered, shifting and complex reality.

The disallowance of the specific cultures and histories of African-Americans and black women especially is figured in The Bluest Eye primarily as a consequence of or sideline to the more general annihilation of popular forms and images by an ever more all-pervasive and insidious mass culture instry. This instry increasingly disallows the representation of any image not premised on consumption or the proction of normative values concive to it. These values are often rigidly tied to gender and are race-specific to the extent that racial and ethnic differences are not allowed to be represented. One lesson from history, as Susan Willis reiterates, is that "in mass culture many of the social contradictions of capitalism appear to us as if those very contradictions had been resolved" ("I Shop" 183). Among these contradictions we might include those antagonisms continuing in spite of capitalism's benevolent influence, along the axes of economic privilege and racial difference. According to Willis, it is because "all the models [in mass cultural representation] are white"--either in fact or by virtue of their status as "replicants ... devoid of cultural integrity"--that the differences in race or ethnicity (and class, we might add) and the continued problems for which these differences are a convenient excuse appear to be erased or made equal "at the level of consumption" ("I Shop" 184). In other words, economic, racial and ethnic difference is erased and replaced by a purportedly equal ability to consume, even though what is consumed are more or less competing versions of the same white image.

There is evidence of the presence and influence of this process of erasure and replacement throughout The Bluest Eye. For example, the grade school reader that prefaces the text was (and in many places still is) a ubiquitous, mass-proced presence in schools across the country. Its widespread use made learning the pleasures of Dick and Jane's commodified life dangerously synonymous with learning itself. Its placement first in the novel makes it the pretext for what is presented after: As the seeming given of contemporary life, it stands as the only visible model for happiness and thus implicitly accuses those whose lives do not match up. In 1941, and no less so today, this would include a lot of people. Even so, white lower-class children can at least more easily imagine themselves posited within the story's realm of possibility. For black children this possibility might require a double reversal or negation: Where the poor white child is encouraged to forget the particulars of her present life and look forward to a future of prosperity--the result, no doubt, of forty years in Lorain's steel mills--a black child like Pecola must, in addition, see herself, in a process repeated throughout The Bluest Eye, in (or as) the body of a white little girl. In other words, she must not see herself at all. The effort required to do this and the damaging results of it are illustrated typographically in the repetition of the Dick-and-Jane story first without punctuation or capitalization, and then without punctuation, capitalization, or spacing.

7. 急需《最藍的眼睛》（the bluest eye）的英文原著

http://www.sparknotes.com/lit/bluesteye/

以上是書評，當時沒看仔細，不好意思。下面網站有下載：
http://topk.cn/

需要注冊一下，搜索書名，然回後回復那個帖子才答行。

8. 請問哪裡有《最藍的眼睛》（英文版）

這些地址都有英文版的The Bluest Eye
http://www.sparknotes.com/lit/bluesteye/
http://www.randomhouse.com/features/morrison/excerpt.html
http://www.en8848.com.cn/Soft/Class19/Class22/2006-11-08/1861.html
http://www.oprah.com/obc/pastbooks/toni_morrison/obc_pb_20000427.jhtml

9. 誰有《最藍的眼睛》英語原著pdf 版，最好有封面。或者把原著封面和背面的照片。謝謝