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英国文学英语阅读报告

发布时间: 2021-02-20 19:19:27

❶ 求英语阅读报告

name of the book:Forgive Me, Leonard Peacock
Auther: Matthew Quick
Publisher: Little, Brown & Company
Synopsis(简介)字:Today is Leonard Peacock's birthday. It is also the day he hides a gun in his backpack. Because today is the day he will kill his former best friend, and then himself, with his grandfather's P-38 pistol.

But first he must say good-bye to the four people who matter most to him: his Humphrey Bogart-obsessed next-door neighbor, Walt; his classmate Baback, a violin virtuoso; Lauren, the Christian homeschooler he has a crush on; and Herr Silverman, who teaches the high school's class on the Holocaust. Speaking to each in turn, Leonard slowly reveals his secrets as the hours tick by and the moment of truth approaches.

Comments / feelings 80字
Leonard’s story is truly heart breaking. So many people in his life have failed him, and that’s pushed him to a point where he doesn’t even want to be alive anymore. Throughout the story, which takes place over a little over a day, we learn what got Leonard to his dark place and we watch him struggle to hold on to life. We meet the few people that are there for Leonard, though he doesn’t realize it himself until much later. I found myself wanting to save Leonard over and over and just give him the biggest hug and tell him everything would be ok because that’s what he really needed. Honestly, even though Leonard is really messed up, I found him to be quirky and I liked that. I liked that he wasn’t like everyone else. That he wanted more for his life and others than most people want.

希望可以帮到你... 也许有点长了诶...

❷ 求一篇关于英国文学的英语论文谢谢了,大神帮忙啊

"A Dream of Red Mansions" Du Hougan 2005-2-27 字数: Author: Heart of the Ark Source: unknown entry: Anonymous date: 2005-2-27 Volume: 1516 Throughout human history of the evolution of intelligence Love, can be roughly divided into emotional history of prehistoric, ancient and modern history of emotional feelings history of three stages. If the literary history of human emotion is a reflection of the history of reproction, "A Dream of Red Mansions," a book of the times in a position to more clearly. Like an arch bridge, just across her feelings in ancient history and the end of the beginning of modern history on emotion. In view of this, "A Dream of Red Mansions," a book of our time and the distance is more clear-cut. The classical works show a comprehensive picture so vivid in the past to preserve the impact of the times, so that we can from grade to the ancient and modern people in the area of great emotion and subtle similarities and differences. We Beixijiaojia to see that the history of human emotion and history as a rational move forward in the evolution, despite the evolution of the track is so heavy and slow, step by step, fought, including the cost of blood and life, Zhuanyan Jian burn, Ben things. Modern people still feel strongly from the destroyed in the Li Yumei, and we have to admit that such feelings of sympathy mixed with water Mochizuki Chiang Kai-shek, the Pioneer Press Baccalaureates told the alienation and divide. More than half of this era when men would choose Spouse Choosing Xue Baochai, as the madness Qingchi Yihong son, the loss of his illustrious door first, he more than half of women in the eyes of it is worthless. Modern tears certainly less and less, less than in the past at least one of the Yellow River water. This means that emotions do not know the barren drought or mental well-being of pleasure. People become emotionally intelligent volatile and more ignorance cunning. They are often insincerely, emotional and rational from the inconsistent state of mind is not ideal but obey the call of ideals. They have Qiqingliuyu, but often runs counter to sentiment. If the classical era of personal feelings of love from family and social tragedy, several non-adjustable, but is, after all, in a forward. Works within its power to complete the mission entrusted to the times, for the emotional history of classical zoned under a colorful close.

❸ 25篇英语小短文(带题目,翻泽),写阅读报告。

一、读书报告的内容可包括:

1.本书的概况:作者简介、内容概要;本书在表达、处理等方面的特别之处等;
2.本书的主要观点、意图;
3.本书的精华部分或个人最喜爱的部分;
4.对本书的评价和观感;
5.读后感:(1)书中情节引起的联想
(2)书中内容引起的疑问
(3)本书令你有何提醒、启发及反思
(4)本书引起的思想上的转变
(5)本书令你引发的期望
6.本书读后的收获。

二、读书报告的撰写步骤:

(一)阅读著作;
(二)确立论题:每人根据阅读感受,自由选取一个自己最感兴趣的角度确立一个论题;选择的角度要小,挖掘要深;
(三)收集资料:1、摘记原文:根据论题,摘录原著中的相关内容,制成摘记卡;
2、查阅其他书籍杂志,掌握相关的资料。
(四)报告的内容:选题理由、确立观点、论述观点
(五)注意点:语言的流畅、观点与论述的一致。

三、写读书报告的注意事项

1.读书报告的形式多种多样,没有任何规范。可以写成很抒情的散文,很尖锐的评论,很精辟的分析,很周详的比较……要看书的性质,也要看你感想的性质。
2.读书时要边看边写,不论有什么感想,疑问和见解,都随即把它们写下来。最好准备一本读书札记簿,写在本子上。书看完了,把自己写下来的那些感受浏览一次,就会发现几个重要可以发挥的。把这几个重点列出来,有时间的话,把书有选择地再看一遍,以便你想论述的重点,找寻更多的资料或例证。有需要时,还可以再找其它有关的书籍来补充你的论点。这样,你阅读的收获会丰富得多,你写的读书报告也会有分量得多。
3.对所读著作的赞扬与批评需要有见地,避免公式化的赞美之词用得过多,赞要赞到作品的节骨眼上,最好是这本书独有的、最突出的优点。批评当然比赞扬更难,因为写读书报告的人学养往往逊于作者,要能指出一本书的缺点,而又能言之成理,使人信服,实在并非易事。但不容易并不表示不可以这样做,如果做得到,这篇读书报告会更容易受到欣赏。
4.读书报告可对一本书全面论述,全面的结果很容易流于浮面,样样都谈到了,但只是泛泛之论,倒不如抓住你最有感受、最有心得的几点来谈。因为你谈得集中、深入,自然能给读者比较深刻的印象。
5.好的读书报告应以写报告人自己的意见为主要内容,原文可以作为举例加以引述,但不宜太多。引述其它人对这本书的看法也要适可而止,一、读书报告的内容可包括:

1.本书的概况:作者简介、内容概要;本书在表达、处理等方面的特别之处等;
2.本书的主要观点、意图;
3.本书的精华部分或个人最喜爱的部分;
4.对本书的评价和观感;
5.读后感:(1)书中情节引起的联想
(2)书中内容引起的疑问
(3)本书令你有何提醒、启发及反思
(4)本书引起的思想上的转变
(5)本书令你引发的期望
6.本书读后的收获。

二、读书报告的撰写步骤:

(一)阅读著作;
(二)确立论题:每人根据阅读感受,自由选取一个自己最感兴趣的角度确立一个论题;选择的角度要小,挖掘要深;
(三)收集资料:1、摘记原文:根据论题,摘录原著中的相关内容,制成摘记卡;
2、查阅其他书籍杂志,掌握相关的资料。
(四)报告的内容:选题理由、确立观点、论述观点
(五)注意点:语言的流畅、观点与论述的一致。

三、写读书报告的注意事项

1.读书报告的形式多种多样,没有任何规范。可以写成很抒情的散文,很尖锐的评论,很精辟的分析,很周详的比较……要看书的性质,也要看你感想的性质。
2.读书时要边看边写,不论有什么感想,疑问和见解,都随即把它们写下来。最好准备一本读书札记簿,写在本子上。书看完了,把自己写下来的那些感受浏览一次,就会发现几个重要可以发挥的。把这几个重点列出来,有时间的话,把书有选择地再看一遍,以便你想论述的重点,找寻更多的资料或例证。有需要时,还可以再找其它有关的书籍来补充你的论点。这样,你阅读的收获会丰富得多,你写的读书报告也会有分量得多。
3.对所读著作的赞扬与批评需要有见地,避免公式化的赞美之词用得过多,赞要赞到作品

❹ 我需要关于英国文学的英语论文1500词

The term English literature refers to literature written in the English language, including literature composed in English by writers not necessarily from England; Joseph Conrad was Polish, Robert Burns was Scottish, James Joyce was Irish, Dylan Thomas was Welsh, Edgar Allan Poe was American, Salman Rushdie is Indian, V.S. Naipaul was born in Trinidad, Vladimir Nabokov was Russian. In other words, English literature is as diverse as the varieties and dialects of English spoken around the world. In academia, the term often labels departments and programmes practising English studies in secondary and tertiary ecational systems. Despite the variety of authors of English literature, the works of William Shakespeare remain paramount throughout the English-speaking world.

This article primarily deals with literature from Britain written in English. For literature from specific English-speaking regions, consult the see also section at the bottom of the page.

Contents [hide]
1 Old English
2 Renaissance literature
3 Early Modern period
3.1 Elizabethan Era
3.2 Jacobean literature
3.3 Caroline and Cromwellian literature
3.4 Restoration literature
3.5 Augustan literature
4 18th century
5 Romanticism
6 Victorian literature
7 Modernism
8 Post-modern literature
9 Views of English literature
10 See also
11 External links

Old English
Main article: Anglo-Saxon literature
The first works in English, written in Old English, appeared in the early Middle Ages (the oldest surviving text is Cædmon's Hymn). The oral tradition was very strong in early British culture and most literary works were written to be performed. Epic poems were thus very popular and many, including Beowulf, have survived to the present day in the rich corpus of Anglo-Saxon literature that closely resemble today's Norwegian or, better yet, Icelandic. Much Anglo-Saxon verse in the extant manuscripts is probably a "milder" adaptation of the earlier Viking and German war poems from the continent. When such poetry was brought to England it was still being handed down orally from one generation to another, and the constant presence of alliterative verse, or consonant rhyme (today's newspaper headlines and marketing abundantly use this technique such as in Big is Better) helped the Anglo-Saxon peoples remember it. Such rhyme is a feature of Germanic languages and is opposed to vocalic or end-rhyme of Romance languages. But the first written literature dates to the early Christian monasteries founded by St. Augustine of Canterbury and his disciples and it is reasonable to believe that it was somehow adapted to suit to needs of Christian readers. Even without their crudest lines, Viking war poems still smell of blood feuds and their consonant rhymes sound like the smashing of swords under the gloomy northern sky: there is always a sense of imminent danger in the narratives. Sooner or later, all things must come to an end, as Beowulf eventually dies at the hands of the monsters he spends the tale fighting. The feelings of Beowulf that nothing lasts, that youth and joy will turn to death and sorrow entered Christianity and were to dominate the future landscape of English fiction.

Renaissance literature
Main article: English Renaissance
Following the introction of a printing press into England by William Caxton in 1476, vernacular literature flourished. The Reformation inspired the proction of vernacular liturgy which led to the Book of Common Prayer, a lasting influence on literary English language. The poetry, drama, and prose proced under both Queen Elizabeth I and King James I constitute what is today labelled as Early modern (or Renaissance).

Early Modern period
Further information: Early Modern English and Early Modern Britain

Elizabethan Era
Main article: Elizabethan literature
The Elizabethan era saw a great flourishing of literature, especially in the field of drama. The Italian Renaissance had rediscovered the ancient Greek and Roman theatre, and this was instrumental in the development of the new drama, which was then beginning to evolve apart from the old mystery and miracle plays of the Middle Ages. The Italians were particularly inspired by Seneca (a major tragic playwright and philosopher, the tutor of Nero) and Plautus (its comic clichés, especially that of the boasting soldier had a powerful influence on the Renaissance and after). However, the Italian tragedies embraced a principle contrary to Seneca's ethics: showing blood and violence on the stage. In Seneca's plays such scenes were only acted by the characters. But the English playwrights were intrigued by Italian model: a conspicuous community of Italian actors had settled in London and Giovanni Florio had brought much of the Italian language and culture to England. It is also true that the Elizabethan Era was a very violent age and that the high incidence of political assassinations in Renaissance Italy (embodied by Niccolò Machiavelli's The Prince) did little to calm fears of popish plots. As a result, representing that kind of violence on the stage was probably more cathartic for the Elizabethan spectator. Following earlier Elizabethan plays such as Gorboc by Sackville & Norton and The Spanish Tragedy by Kyd that was to provide much material for Hamlet, William Shakespeare stands out in this period as a poet and playwright as yet unsurpassed. Shakespeare was not a man of letters by profession, and probably had only some grammar school ecation. He was neither a lawyer, nor an aristocrat as the "university wits" that had monopolised the English stage when he started writing. But he was very gifted and incredibly versatile, and he surpassed "professionals" as Robert Greene who mocked this "shake-scene" of low origins. Though most dramas met with great success, it is in his later years (marked by the early reign of James I) that he wrote what have been considered his greatest plays: Hamlet, Romeo and Juliet, Othello, King Lear, Macbeth, Antony and Cleopatra, and The Tempest, a tragicomedy that inscribes within the main drama a brilliant pageant to the new king. This 'play within a play' takes the form of a masque, an interlude with music and dance coloured by the novel special effects of the new indoor theatres. Critics have shown that this masterpiece, which can be considered a dramatic work in its own right, was written for James's court, if not for the monarch himself. The magic arts of Prospero, on which depend the outcome of the plot, hint at the fine relationship between art and nature in poetry. Significantly for those times (the arrival of the first colonists in America), The Tempest is (though not apparently) set on a Bermudan island, as research on the Bermuda Pamphlets (1609) has shown, linking Shakespeare to the Virginia Company itself. The "News from the New World", as Frank Kermode points out, were already out and Shakespeare's interest in this respect is remarkable. Shakespeare also popularized the English sonnet which made significant changes to Petrarch's model.

The sonnet was introced into English by Thomas Wyatt in the early 16th century. Poems intended to be set to music as songs, such as by Thomas Campion, became popular as printed literature was disseminated more widely in households. See English Madrigal School. Other important figures in Elizabethan theatre include Christopher Marlowe, Thomas Dekker, John Fletcher and Francis Beaumont. Had Marlowe (1564-1593) not been stabbed at twenty-nine in a tavern brawl, says Anthony Burgess, he might have rivalled, if not equalled Shakespeare himself for his poetic gifts. Remarkably, he was born only a few weeks before Shakespeare and must have known him well. Marlowe's subject matter, though, is different: it focuses more on the moral drama of the renaissance man than any other thing. Marlowe was fascinated and terrified by the new frontiers opened by modern science. Drawing on German lore, he introced Dr. Faustus to England, a scientist and magician who is obsessed by the thirst of knowledge and the desire to push man's technological power to its limits. He acquires supernatural gifts that even allow him to go back in time and wed Helen of Troy, but at the end of his twenty-four years' covenant with the devil he has to surrender his soul to him. His dark heroes may have something of Marlowe himself, whose untimely death remains a mystery. He was known for being an atheist, leading a lawless life, keeping many mistresses, consorting with ruffians: living the 'high life' of London's underworld. But many suspect that this might have been a cover-up for his activities as a secret agent for Elizabeth I, hinting that the 'accidental stabbing' might have been a premeditated assassination by the enemies of The Crown. Beaumont and Fletcher are less-known, but it is almost sure that they helped Shakespeare write some of his best dramas, and were quite popular at the time. It is also at this time that the city comedy genre develops. In the later 16th century English poetry was characterised by elaboration of language and extensive allusion to classical myths. The most important poets of this era include Edmund Spenser and Sir Philip Sidney. Elizabeth herself, a proct of Renaissance humanism, proced occasional poems such as On Monsieur’ Departure.

Canons of Renaissance poetry

Jacobean literature
After Shakespeare's death, the poet and dramatist Ben Jonson was the leading literary figure of the Jacobean era (The reign of James I). However, Jonson's aesthetics hark back to the Middle Ages rather than to the Tudor Era: his characters embody the theory of humours. According to this contemporary medical theory, behavioral differences result from a prevalence of one of the body's four "humours" (blood, phlegm, black bile, and yellow bile) over the other three; these humours correspond with the four elements of the universe: air, water, fire, and earth. This leads Jonson to exemplify such differences to the point of creating types, or clichés.

Jonson is a master of style, and a brilliant satirist. His Volpone shows how a group of scammers are fooled by a top con-artist, vice being punished by vice, virtue meting out its reward.

Others who followed Jonson's style include Beaumont and Fletcher, who wrote the brilliant comedy, The Knight of the Burning Pestle, a mockery of the rising middle class and especially of those nouveaux riches who pretend to dictate literary taste without knowing much literature at all. In the story, a couple of grocers wrangle with professional actors to have their illiterate son play a leading role in a drama. He becomes a knight-errant wearing, appropriately, a burning pestle on his shield. Seeking to win a princess' heart, the young man is ridiculed much in the way Don Quixote was. One of Beaumont and Fletcher's chief merits was that of realising how feudalism and chivalry had turned into snobbery and make-believe and that new social classes were on the rise.

Another popular style of theatre ring Jacobean times was the revenge play, popularized by John Webster and Thomas Kyd. George Chapman wrote a couple of subtle revenge tragedies, but must be remembered chiefly on account of his famous translation of Homer, one that had a profound influence on all future English literature, even inspiring John Keats to write one of his best sonnets.

The King James Bible, one of the most massive translation projects in the history of English up to this time, was started in 1604 and completed in 1611. It represents the culmination of a tradition of Bible translation into English that began with the work of William Tyndale. It became the standard Bible of the Church of England, and some consider it one of the greatest literary works of all time. This project was headed by James I himself, who supervised the work of forty-seven scholars. Although many other translations into English have been made, some of which are widely considered more accurate, many aesthetically prefer the King James Bible, whose meter is made to mimic the original Hebrew verse.

Besides Shakespeare, whose figure towers over the early 1600s, the major poets of the early 17th century included John Donne and the other Metaphysical poets. Influenced by continental Baroque, and taking as his subject matter both Christian mysticism and eroticism, metaphysical poetry uses unconventional or "unpoetic" figures, such as a compass or a mosquito, to reach surprise effects. For example, in "A Valediction: Forbidding Mourning", one of Donne's Songs and Sonnets, the points of a compass represent two lovers, the woman who is home, waiting, being the centre, the farther point being her lover sailing away from her. But the larger the distance, the more the hands of the compass lean to each other: separation makes love grow fonder. The paradox or the oxymoron is a constant in this poetry whose fears and anxieties also speak of a world of spiritual certainties shaken by the modern discoveries of geography and science, one that is no longer the centre of the universe. Apart from the metaphysical poetry of Donne, the 17th century is also celebrated for its Baroque poetry. Baroque poetry served the same ends as the art of the period; the Baroque style is lofty, sweeping, epic, and religious. Many of these poets have an overtly Catholic sensibility (namely Richard Crashaw) and wrote poetry for the Catholic counter-Reformation in order to establish a feeling of supremacy and mysticism that would ideally persuade newly emerging Protestant groups back toward Catholicism.

Caroline and Cromwellian literature
The turbulent years of the mid-17th century, ring the reign of Charles I and the subsequent Commonwealth and Protectorate, saw a flourishing of political literature in English. Pamphlets written by sympathisers of every faction in the English civil war ran from vicious personal attacks and polemics, through many forms of propaganda, to high-minded schemes to reform the nation. Of the latter type, Leviathan by Thomas Hobbes would prove to be one of the most important works of British political philosophy. Hobbes's writings are some of the few political works from the era which are still regularly published while John Bramhall, who was Hobbes's chief critic, is largely forgotten. The period also saw a flourishing of news books, the precursors to the British newspaper, with journalists such as Henry Muddiman, Marchamont Needham, and John Birkenhead representing the views and activities of the contending parties. The frequent arrests of authors and the suppression of their works, with the consequence of foreign or underground printing, led to the proposal of a licensing system. The Areopagitica, a political pamphlet by John Milton, was written in opposition to licensing and is regarded as one of the most eloquent defenses of press freedom ever written.

Specifically in the reign of Charles I (1625 – 42), English Renaissance theatre experienced its concluding efflorescence. The last works of Ben Jonson appeared on stage and in print, along with the final generation of major voices in the drama of the age: John Ford, Philip Massinger, James Shirley, and Richard Brome. With the closure of the theatres at the start of the English Civil War in 1642, drama was suppressed for a generation, to resume only in the altered society of the English Restoration in 1660.

Other forms of literature written ring this period are usually ascribed political subtexts, or their authors are grouped along political lines. The cavalier poets, active mainly before the civil war, owed much to the earlier school of metaphysical poets. The forced retirement of royalist officials after the execution of Charles I was a good thing in the case of Izaak Walton, as it gave him time to work on his book The Compleat Angler. Published in , the book, ostensibly a guide to fishing, is much more: a meditation on life, leisure, and contentment. The two most important poets of Oliver Cromwell's England were Andrew Marvell and John Milton, with both procing works praising the new government; such as Marvell's An Horatian Ode upon Cromwell's Return from Ireland. Despite their republican beliefs they escaped punishment upon the Restoration of Charles II, after which Milton wrote some of his greatest poetical works (with any possible political message hidden under allegory). Thomas Browne was another writer of the period; a learned man with an extensive library, he wrote prolifically on science, religion, medicine and the esoteric.

Restoration literature
Main article: Restoration Literature
Restoration literature includes both Paradise Lost and the Earl of Rochester's Sodom, the high spirited sexual comedy of The Country Wife and the moral wisdom of Pilgrim's Progress. It saw Locke's Treatises on Government, the founding of the Royal Society, the experiments of Robert Boyle and the holy meditations of Boyle, the hysterical attacks on theatres from Jeremy Collier, the pioneering of literary criticism from Dryden, and the first newspapers. The official break in literary culture caused by censorship and radically moralist standards under Cromwell's Puritan regime created a gap in literary tradition, allowing a seemingly fresh start for all forms of literature after the Restoration. During the Interregnum, the royalist forces attached to the court of Charles I went into exile with the twenty-year old Charles II. The nobility who travelled with Charles II were therefore lodged for over a decade in the midst of the continent's literary scene. Charles spent his time attending plays in France, and he developed a taste for Spanish plays. Those nobles living in Holland began to learn about mercantile exchange as well as the tolerant, rationalist prose debates that circulated in that officially tolerant nation.

The largest and most important poetic form of the era was satire. In general, publication of satire was done anonymously. There were great dangers in being associated with a satire. On the one hand, defamation law was a wide net, and it was difficult for a satirist to avoid prosecution if he were proven to have written a piece that seemed to criticize a noble. On the other hand, wealthy indivials would respond to satire as often as not by having the suspected poet physically attacked by ruffians. John Dryden was set upon for being merely suspected of having written the Satire on Mankind. A consequence of this anonymity is that a great many poems, some of them of merit, are unpublished and largely unknown.

未完

❺ 各位英语高手,帮忙写一片英语读书报告啊,跪求!!!!!!!!!

你看下面的找的可以吗?

抄点就行了

《 The lousy driftage of strand of 鲁 record 》
I like to read the adventure novel specially, among them leaving for me impressive would be 《 the lousy driftage of strand of 鲁 record 》 .
A body of strand of 鲁 is at a middle class family in England.The ages of the youth, he leaves the house then and personally, going to overseas to go to risky.An on the water die in an accident, he drifts an islet of smoke with unmanned 荒 alone.Start to be very pessimism, afterwards for the sake of existence, he moved to come the clothes, fresh water, food break on the boat, tool etc., started the new life.He plants the corn, raising and train the goat, obtaining the enough thing.After some years, it is a flock of to arrive this undertaking pedestrian meat 宴 , he saved a savage country people, going to a" Friday" for him.Henceforth,50% of week the friend and the servant that he is faithful.After island up live for 28 years, they take one road to was return to by the British ship of the waste island England.
At the beginning when I read this book through, were is lousy by the strand of 鲁 he presumes the adventure, the diligent enterprising spirit shocked.He drifts the waste island, not only have no pessimism disappointment, but also making use of the condition on the island, plant, raise and train, the paradise that making waste island become can exist freely.We can also see he is a mind and body health, diligent enterprising he-man.On the desolate isolated island, he want to be a person alone with the rains and winds thunder and lightning physical fight with the mosquito wild beast physical fight.The threat that he still needs to face to die, the hardships of the existence.Can his end spirit have no 垮 , but optimistically living bottom go to, use own hands creation life, create tomorrow.Aside the person see, the all these is how not easy, making person admire how.
《 The lousy driftage of strand of lu record 》 stay the reality that woulds be it for my another impression concrete.In regard to take that detail of the lousy shipbuilding of strand of lu .The author hand over the strand of lu whole process and its details of the lousy shipbuilding to treat clear.Big arrive each step, from the lumbering, chop down to the root, pare off the ship form, dig the inner part to wait in vain, small to each detail, say some size, action, times for example, etc..See such sentence." Close to again the root, its diameter is five Chinese foots of one inches, at 22 Chinese foots of bitter ends, its diameter is four Chinese foots of one inches, then slice slowly under go to, be divided into some sons.My fee numerous physical labor, just chop down this tree, I spend the time for 22 days, just chopping down its root.The …… " be like such sentence plenty more.Exactly these sentence, delineate a clear appearance, let the person feel the reality, become intimate with.
《 The lousy driftage of strand of lu record 》 the most attractive place is host Mr. is breathtaking, unusual, true personal career, but its deep attraction is the standing alone feeling of the common and existent mankind indeed in reader's heart output total 鸣 .We can find out own shadow in this book, hence, we had no reason not to like this book.
鲁滨逊漂流记
英国作家笛福在西方文学发展史上占据着一个特殊的位置,被称为“现代小说之父”。18世纪,长篇小说兴起,笛福作为西方新兴资产阶级的代言人,他的创作开辟了以写实为风格,追求逼真效果的现代长篇小说发展的道路。自14至15世纪新航路开辟以来,航海成为一种时尚,笛福在真实发生的航海故事的基础上创作了他的不朽之作《鲁滨孙漂流记》。他的小说表达了要求个性解放,勇于冒险的进取精神。

鲁滨逊漂流记简介

笛福

《鲁滨逊漂流记》是笛福的代表作,是一部流传很广,影响很大的文学名著。它表现了强烈的资产阶级进取精神和启蒙意识。作者用生动逼真的细节把虚构的情景写得使人如同身临其境,使故事具有强烈的真实感。小说主人公鲁滨逊也成为欧洲文学史上一个著名的文学形象。

我父亲原来指望我学法律,但是我却一心想去航海。有一天,我去赫尔城,我的一位同伴正要坐他父亲的船到伦敦去,再没有什么比这更让我动心了,我必须跟他而去——这是1651年的8月,当时我十九岁。

船刚驶出海口,便碰到了可怕的风浪,使我感到全身说不出的难过,心里十分恐怖。我在痛苦的心情中发了誓,假如上帝在这次航行中留下我的命,我在登上陆地后,就一直回到我慈爱的父母身边,从此一定听从他们的忠告办事。

可是第二天风停了,浪也歇了。太阳西沉,继之而来的是一个美丽可爱的黄昏,这时又喝了我的同伴酿的一碗甜酒,我就把这次航行后便回家的决心丢到九霄云外去了。我的这种习性给我的一生招来了巨大的不幸——任性的行动常给我带来灾难,可我总不肯在灾难来临的时刻乘机悔改。待到危险一过去,就忘掉了 所有的誓言,又不顾一切地投入了我的毫无名堂的生活。

在第一次狂风暴雨似的航行后,我又有过几次不同的冒险。在去非洲的几内亚做生意时,我被一艘土耳其的海盗船俘虏,被卖为奴隶,经过许多危险,我逃到了巴西,在那里独自经营一个甘蔗种植园,生活过得很顺遂。可这时我却又成了诱惑的牺牲品。巴西因为人工不足,有几个种植园主知道我曾为做生意而到过非洲的一些奴隶市场口岸,他们竭力哄诱我作一次航行,到那一带去为他们的种植园买些黑奴回来。

听从坏主意,人就会倒霉。我们的船在南美洲北岸一个无名岛上触了礁,所有的水手及乘客全都淹死了,上帝保佑,只有我一个人被高高的海浪卷到了岸上,保住了一条命。当时我所有的只是一把刀、一只烟斗和一个盒子里装的一点儿烟草。待到我的体力恢复,可以走路了时,我就沿着海岸走去。使我大为高兴的是,我发现了淡水。喝了水后,又拿一小撮烟草放在嘴里解饿。我就在一棵树上栖身,舒舒服服地睡了一觉振作了精神,海上风平浪静。但最叫我高兴的是我看见了那艘船,待到潮水退下,看到它竟离海岸很近,我发现可以很方便地游到船上去。船上只剩下一只狗和两只猫,再没有别的生物。不过船上有大量的生活必需品,这样,我就干了起来。为了把那些东西运到这个岛的一个水湾里,我专门制造了一只木筏,还把岛上有淡水而且比较平坦的一块高地作了我的住所。面包、大米、大麦和小麦、干酪和羊肉干、糖、面粉、木板、圆木、绳子——所有这些,再加上几支滑膛枪、两支手枪、几支鸟枪、一把锤子,还有——那是最没有用的——三十六镑英币。所有这些东西我都一天又一天——在两次退潮之间一一从船上运到了岸上。到了第三十天夜里,我的搬运工作做完了,我躺下来时,虽然像平常一样害怕,但我心里也满怀感恩之情,因为我知道,我已为以后对付这个荒岛作好了准备而心里感到踏实了。

岛上有不少野果树,但这是我过了好久才发现的。岛上还有到处乱跑的山羊,但要不是我从船上取来了枪支弹药,它们对我又有何好处呢?因此,我有理由感谢仁慈的上帝,让船搁在海岸边,直至使我搬来了对我有用的一切东西。

要想确保我能在这个岛上生存下来,还有许多事情要做。我尽可能地相继办了几件我非办不可的事。但是我的努力并非总是交上好运道。我在第一次播下大麦和稻子的种子时,这些宝贵的存货就浪费了一半,原因是播种得不是时候。我辛辛苦苦花了几个月工夫,挖了几个地窖以备贮存淡水。花了四十二天时间,才把一棵大树砍劈成我的第一块长木板。我起劲地干了好几个星期,想制造一个捣小麦的石臼,最后却只好挖空了一大块木头。我足足花了五个月工夫,砍倒一棵大杉木,又劈又削,让它成了一只很像样的独木舟,以备用来逃离这个小岛,可结果却因为怎么也没法子使它下到海里去而不得不把它丢弃了。不过,每一桩失败的事,都教给了我以前不知道的一些知识。

至于自然环境,岛上有狂风暴雨,还有地震。我那时也对一切都适应了。我种植和收获了我的大麦和小麦;我采来野葡萄,把它们晒成了很有营养的葡萄干;我饲养温驯的山羊,然后杀了吃,又熏又腌的。由于食物这样多种多样,供应还算不差。如此过了十二个年头,其间,岛上除了我本人之外,我从来没见到过一个人迹。这样一直到了那重大的一天,我在沙滩上偶然发现了一个人的光脚印。

我当时好像挨了一个晴天霹雷。我侧耳倾听,回头四顾,可是什么也没听见,什么也没看见。我跑到海岸上,还下海去查看,可是总共就只有那么一个脚印!我惊吓到了极点,像一个被人跟踪追捕的人似地逃回到我的住处。一连三天三夜,我都不敢外出。

这是人怕人的最好说明!经过十二年的痛苦和苦干,十二年跟自然环境相抗争,竟然会因一个人的一只脚印而恐怖不安!但事情就是这样。 经过观察,我了解到这是那块大陆上的那些吃人生番的一种习惯。他们把打仗时抓来的俘虏带到这个岛上我很少去的那个地方,杀死后大吃一顿。有一天早晨,我从望远镜里看见三十个野蛮人正在围着篝火跳舞。他们已煮食了一个俘虏,还有两个正准备放到火上去烤,这时我提着两支上了子弹的滑膛枪和那柄大刀往下朝他们跑了去,及时救下了他们来不及吃掉的一个俘虏。我把我救下的这个人起名为"星期五",以纪念他是这一天获救的,他讲话的声音成了我在这个岛上二十五年来第一次听到的人声。他年轻,聪明,是一个较高级的部族的野蛮人,后来在我留在岛上的那段时间,他始终是我的个可靠的伙伴。在我教了他几句英语后,星期五跟我讲了那大陆上的事。我决定离开我的岛了。我们制造了一只船,这次不是在离海岸很远的地方造。正当我们差不多已准备驾船启航时,又有二十一个野蛮人乘着三只独木船,带了三个俘虏到这个岛上来开宴会了。其中一个俘虏是个白人,这可把我气坏了。我把两支鸟枪、四支滑膛枪、两支手枪都装上双倍弹药,给了星期五一把小斧头,还给他喝了好多甘蔗酒,我自己带上了大刀,我们冲下山去,把他们全杀死了,只逃走了四个野蛮人。

俘虏中有一个是星期五的父亲。那个白人是西班牙人,是我前几年看见的那艘在我的岛上触礁的船上的一个幸存者,当时我还从那艘船上取来了一千二百多枚金币,但对这些钱我毫不看重,因为它们并不比沙滩上的许多沙子更有价值。

我给了那个西班牙人和星期五的父亲枪支和食物,叫他们乘着我新造的船去把那艘西班牙船上遇难的水手们带到我的岛上来。正在等待他们回来时,有一艘英国船因水手闹事而在我的岛附近抛了锚。我帮那位船长夺回了他的船,跟他一起回到了英国。我们走时带走了两个也想回英国去的老实的水手,而让闹事闹得最凶的一些水手留在了岛上。后来,那些西班牙人回来了,都在岛上居留了下来。开始时他们双方争吵不和,但定居后,终于建立起了一个兴旺的殖民地,过了几年,我有幸又到那个岛上去过一次。

我离开那个岛时,已在岛上呆了二十八年两个月二十九天。我总以为我一到英国就会高兴不尽,没想到我在那里却成了一个异乡人。我的父母都已去世,真太令人遗憾了,要不我现在可以孝敬地奉养他们,因为我除了从那艘西班牙船上取来的一千二百个金币之外,还有两万英镑等待着我到一个诚实的朋友那儿去领取,这位朋友是一位葡萄牙船长,在我去干那项倒楣的差事之前,我委托他经营我在巴西的庄园。正是为了去干那差事,使我在岛上住了二十八年。我见他如此诚实,十分高兴,我决定每年付给他一百葡萄牙金币,并在他死后每年付给他儿子五十葡萄牙金币,作为他们终生的津贴。

我结了婚,生了三个孩子,我除了因为要到那个上面讲的我住过的岛上去看看,又作了一次航行之外,再没作漫游了。我住在这儿,为我不配得到的享受而心怀感激,决心现在就准备去作一切旅行中最长的旅行。如果说我学到了什么的话,那就是要认识退休生活的价值和祈祷在平静中过完我们的余日。笛福

作者简介

丹尼尔・笛福, 1660年生于英国,父亲是伦敦的一名商人。
1674年,年轻的笛福就开始学习当一名牧师。但他并不适合牧师这种工作,因为,正如他所创造出来的英雄鲁宾孙一样,他的生活充满了冒险与刺激。1683年,笛福曾被海盗俘虏过。这次的经历,再加上一名曾经在海上遇难的苏格兰水手的叙述,提供了笛福写作《鲁宾孙漂流记》这部脍炙人口的小说题材。虽然《鲁宾孙漂流记》一直到笛福将近六十岁时才出版,它依然为笛福带来历久不衰的声誉。还为笛福带来历久不表的声誉。继《鲁宾孙漂流记》的成功之后,接下来的五年之中,笛福又陆续写了四本书,包括《生命》、《冒险》、《红牌船长的海盗生涯》及《疫年大事记》。笛福逝世于1731年4月,享年70岁。

写作背景

这部小说是笛福受当时一个真实故事的启发而创作的。1704年苏格兰水手赛尔科克在海上与船长发生争吵,被船长遗弃在荒岛上,四年后被救回英国。赛尔科克在荒岛上并没有作出什么值得颂扬的英雄事迹。但笛福塑造的鲁滨孙却完全是个新人,成了当时中小资产阶级心目中的英雄人物,是西方文学中第一个理想化的新兴资产者形象。他表现了强烈的资产阶级进取精神和启蒙意识。

❻ 求300字英语读书报告一份

托马斯·哈代(1840~1928)是英国最伟大的作家之一。他的大部分作品,包括《德伯家的苔丝》,都是以他的故乡,英国南海岸的多尔塞特为背景的。第一次读《德伯家的苔丝》还是在高中时,记得那是一本刻画女性内情感的动人小说,一位少女的生命被慢慢地、但确确实实地毁了,不是被她的敌人,而是被那些自称爱他的人,我不禁感叹,这是怎样的爱,何以摧毁自己所爱?如今重读《苔丝》,我同样为主人公的命运而不平,但我不禁要问:为什么?为什么苔丝这样一个聪明美丽、勤劳善良的少女,最终却作为被害者被送上了绞架。在这部作品中作家哈代通过设置许多偶然巧合的情节让人感到苔丝的一生好像都由命运作祟,是命运把她一步步推向悲剧的结局。但我认为并不是这样,因为偶然性与必然性紧密相连,偶然性是许多社会必然性与自然必然性的交叉点,是必然性的一种反映。生在资本主义社会的苔丝,其悲剧命运是社会规律的必然反映。所以造成她悲剧命运的根源就是当时的资本主义社会。故事中的主人公苔丝生活在英国资本主义侵袭到农村并毒化社会气氛的维多利亚时代。她虽然勤劳善良、聪明美丽;但作为一个劳动者,一个无权无钱的农业工人,社会地位低下,自然会受到资本主义社会的种种压迫和凌辱。随着资本主义的入侵,那些自食其力的占有少量土地和生产资料的农民,都不得不随之破产。苔丝家中的老马被邮车撞死后引起了家中经济生活的改变,在无路可走的情况之下,她不得不委身亚雷。可见,苔丝的悲剧命运和她的经济贫困紧密相连。苔丝的毁灭与伪善的宗教同样是紧密相连的。恰恰是亚雷这个伪善的人物为我们揭露了伪善的宗教。他是依靠商业致富的资产者和暴发户,一个“肉欲的人”。他设下圈套引诱了苔丝,却利用《圣经》的典故把责任推到苔丝身上,后来他还居然变成了一个劝人行善的牧师。可见在资本主义社会,宗教只是反动统治阶级麻醉、欺骗和愚弄劳动人民的一种工具。苔丝也是资产阶级虚伪道德的牺牲品。作品中安玑就是资产阶级虚伪道德的体现者,他虽然是个有开明思想的知识分子,但他心理深层有一种根深蒂固的传统伦理道德观念。他自己也有过放荡行为,并得到苔丝的原谅,但他却不肯原谅原本无辜的苔丝。本阶级的印记仍深深地烙在他的灵魂深处:认为“身份不一样,道德观念也不一样。” 他还用传统的贞操观来看待一个女人的纯结与否,对苔丝没有丝毫的同情,置苔丝于痛苦绝望之中,使苔丝又被迫回到亚雷的身边。安玑身上所体现出来的虚伪的资产阶级道德最终把苔丝推向了悲剧的深渊。苔丝的悲剧也与她的性格有关,苔丝是哈代塑造的一个全新的妇女典型。她有着双重性格。一方面她敢于反抗传统道德和虚伪的宗教;另一方面又不能彻底摆脱传统道德对自身的羁绊。特别是后者与她的悲剧命运直接相关。 由于苔丝出身于一个农民家庭,残存于农民身上的某些旧道德和宿命观点使她在反抗传统道德时出现了软弱的一面。当她受到世俗舆论、传统道德迫害的同时,又用这一道德标准来静观自己,认为自己是有罪的。“她把自己看作一个罪恶的化身”“她老觉得全世界的人都在注意她的情形,不敢抬头见人”,她比别人更不能忘记自己的耻辱。苔丝正是这样用一张自己织成的道德罗网把自己束缚起来。其实,她的自我束缚意识有其深刻的历史基础,是整个社会意识的具体表现。苔丝作为一定历史时期的个人,必然会形成特定的历史时期的社会意识和道德观念,她的思想和行动也必然会受到时代和社会意识的制约。所以苔丝的悲剧既有社会的因素,也与她的性格有关,但这些因素都与当时的资本主义社会有着直接的联系,是资本主义社会的种种反映。苔丝的一生注定是一个悲剧。

❼ 福尔摩斯英文读书报告及中文翻译。

Sherlock Holmes, does not need to say you knew.He is one world famous, the widely known famous spy.Who then portrays him is? Is F. Conan doyle, (1859 ~ 1930), English outstanding spying writer of fiction, playwright.By "Four Signs", "Return Records", "Terrorist Valley" and so on is world famous.
"Sherlock Holmes Detective case Collection" mainly says is - - Sherlock Holmes is a village gentleman's descendant, both understands the village the custom, how and understands in the city life.Sherlock Holmes through studied, unceasingly the study unceasingly and practices unceasingly only then enable oneself to have the astonishing spying ability.Therefore, he carries on each kind of spy both logical, and gathers the reason; He to each kind of case explanation and the judgment only then can rationally, only then cause the question which one all hangs also hangs to be easily solved, only then causes an ancestor to confuse the document to restore justice.
Not only this book is fascinating by the inside vivid story, the structure falls extends the fluctuation intense, the plot winding, exciting, soul-stirring, causes me to be unable to put down, but also manifested a meaning famous saying - - “ is the diligent person, all had the spirit which never said die.”
Sherlock Holmes is a such person.
Although he had become famous at that time in England the spying, but he in unceasingly assious study.He has specially rented between a small house nearby English Fine arts Museum, the use material and the opportunity research related spying aspect science and the experience, can cause him to melt all sorts to confuse the group case, finally lets the evil become known in the world.
I thought that,Sherlock Holmes life all is studying, studies the spying aspect continuously the science and the experience, his this indomitable spirit, is worth our general young people studying.
I like reading this this cause me to profit significantly "Sherlock Holmes Detective case Collection".
福尔摩斯,不用说你也知道。他是一个世界著名的,众所周知的著名的间谍。谁塑造了他?是柯南道尔,(1859,1930),英国杰出的间谍作家的小说,剧作家,由“四个标志”,“返回记录”,“恐怖谷”等是世界著名的。
《福尔摩斯侦探案集》主要讲的是——福尔摩斯是一个乡村绅士的后代,既懂得乡村的风俗,在城市生活中如何和理解。福尔摩斯通过不断的研究,不断学习,不断实践才使自己有了惊人的间谍活动的能力。因此,他继续每一种间谍的逻辑,和合理性;他对各种案件的解释和判断才合理,才导致这一问题也都挂挂迎刃而解,才使一个祖先混淆文件恢复正义。
不仅这本书由内生动的故事引人入胜,结构也延伸了起伏激烈,情节曲折,激动人心,令人激动,使我无法放下,但也表现出了一句名言——“每一个都是勤奋者,都有着永不消亡的精神。”
福尔摩斯是一个这样的人。
虽然他曾在英国从事间谍活动,成为著名的,但他在不断地刻苦学习,他还专门租了一个小房子附近的英语美术博物馆之间,使用的材料和机会研究有关间谍方面的科学和经验,导致他融化各种混淆集团的案例,最后让邪恶的成为世界上已知的。
我认为,福尔摩斯一生都在学习,学习间谍方面不断科学和经验,他的这种不屈不挠的精神,值得我们广大青少年学习。
我喜欢阅读,这使我的利润明显“福尔摩斯侦探案集》。

❽ 怎么写英语阅读报告!!!!!!!!!

先写你读了什么书,简单介绍一下书的信息。如:作者、出版信息、内容包括哪些部分。
然后分章节介绍书的内容,概括大体意思。
最后是总结,包括对书的评价以及自己的心得体会。

❾ 帮我写两篇英文读书报告

NO。1
《 The lousy driftage of strand of 鲁 record 》
I like to read the adventure novel specially, among them leaving for me impressive would be 《 the lousy driftage of strand of 鲁 record 》 .
A body of strand of 鲁 is at a middle class family in England.The ages of the youth, he leaves the house then and personally, going to overseas to go to risky.An on the water die in an accident, he drifts an islet of smoke with unmanned 荒 alone.Start to be very pessimism, afterwards for the sake of existence, he moved to come the clothes, fresh water, food break on the boat, tool etc., started the new life.He plants the corn, raising and train the goat, obtaining the enough thing.After some years, it is a flock of to arrive this undertaking pedestrian meat 宴 , he saved a savage country people, going to a" Friday" for him.Henceforth,50% of week the friend and the servant that he is faithful.After island up live for 28 years, they take one road to was return to by the British ship of the waste island England.
At the beginning when I read this book through, were is lousy by the strand of 鲁 he presumes the adventure, the diligent enterprising spirit shocked.He drifts the waste island, not only have no pessimism disappointment, but also making use of the condition on the island, plant, raise and train, the paradise that making waste island become can exist freely.We can also see he is a mind and body health, diligent enterprising he-man.On the desolate isolated island, he want to be a person alone with the rains and winds thunder and lightning physical fight with the mosquito wild beast physical fight.The threat that he still needs to face to die, the hardships of the existence.Can his end spirit have no 垮 , but optimistically living bottom go to, use own hands creation life, create tomorrow.Aside the person see, the all these is how not easy, making person admire how.
《 The lousy driftage of strand of lu record 》 stay the reality that woulds be it for my another impression concrete.In regard to take that detail of the lousy shipbuilding of strand of lu .The author hand over the strand of lu whole process and its details of the lousy shipbuilding to treat clear.Big arrive each step, from the lumbering, chop down to the root, pare off the ship form, dig the inner part to wait in vain, small to each detail, say some size, action, times for example, etc..See such sentence." Close to again the root, its diameter is five Chinese foots of one inches, at 22 Chinese foots of bitter ends, its diameter is four Chinese foots of one inches, then slice slowly under go to, be divided into some sons.My fee numerous physical labor, just chop down this tree, I spend the time for 22 days, just chopping down its root.The …… " be like such sentence plenty more.Exactly these sentence, delineate a clear appearance, let the person feel the reality, become intimate with.
《 The lousy driftage of strand of lu record 》 the most attractive place is host Mr. is breathtaking, unusual, true personal career, but its deep attraction is the standing alone feeling of the common and existent mankind indeed in reader's heart output total 鸣 .We can find out own shadow in this book, hence, we had no reason not to like this book.
鲁滨逊漂流记
英国作家笛福在西方文学发展史上占据着一个特殊的位置,被称为“现代小说之父”。18世纪,长篇小说兴起,笛福作为西方新兴资产阶级的代言人,他的创作开辟了以写实为风格,追求逼真效果的现代长篇小说发展的道路。自14至15世纪新航路开辟以来,航海成为一种时尚,笛福在真实发生的航海故事的基础上创作了他的不朽之作《鲁滨孙漂流记》。他的小说表达了要求个性解放,勇于冒险的进取精神。

鲁滨逊漂流记简介

笛福

《鲁滨逊漂流记》是笛福的代表作,是一部流传很广,影响很大的文学名著。它表现了强烈的资产阶级进取精神和启蒙意识。作者用生动逼真的细节把虚构的情景写得使人如同身临其境,使故事具有强烈的真实感。小说主人公鲁滨逊也成为欧洲文学史上一个著名的文学形象。

我父亲原来指望我学法律,但是我却一心想去航海。有一天,我去赫尔城,我的一位同伴正要坐他父亲的船到伦敦去,再没有什么比这更让我动心了,我必须跟他而去——这是1651年的8月,当时我十九岁。

船刚驶出海口,便碰到了可怕的风浪,使我感到全身说不出的难过,心里十分恐怖。我在痛苦的心情中发了誓,假如上帝在这次航行中留下我的命,我在登上陆地后,就一直回到我慈爱的父母身边,从此一定听从他们的忠告办事。

可是第二天风停了,浪也歇了。太阳西沉,继之而来的是一个美丽可爱的黄昏,这时又喝了我的同伴酿的一碗甜酒,我就把这次航行后便回家的决心丢到九霄云外去了。我的这种习性给我的一生招来了巨大的不幸——任性的行动常给我带来灾难,可我总不肯在灾难来临的时刻乘机悔改。待到危险一过去,就忘掉了 所有的誓言,又不顾一切地投入了我的毫无名堂的生活。

在第一次狂风暴雨似的航行后,我又有过几次不同的冒险。在去非洲的几内亚做生意时,我被一艘土耳其的海盗船俘虏,被卖为奴隶,经过许多危险,我逃到了巴西,在那里独自经营一个甘蔗种植园,生活过得很顺遂。可这时我却又成了诱惑的牺牲品。巴西因为人工不足,有几个种植园主知道我曾为做生意而到过非洲的一些奴隶市场口岸,他们竭力哄诱我作一次航行,到那一带去为他们的种植园买些黑奴回来。

听从坏主意,人就会倒霉。我们的船在南美洲北岸一个无名岛上触了礁,所有的水手及乘客全都淹死了,上帝保佑,只有我一个人被高高的海浪卷到了岸上,保住了一条命。当时我所有的只是一把刀、一只烟斗和一个盒子里装的一点儿烟草。待到我的体力恢复,可以走路了时,我就沿着海岸走去。使我大为高兴的是,我发现了淡水。喝了水后,又拿一小撮烟草放在嘴里解饿。我就在一棵树上栖身,舒舒服服地睡了一觉振作了精神,海上风平浪静。但最叫我高兴的是我看见了那艘船,待到潮水退下,看到它竟离海岸很近,我发现可以很方便地游到船上去。船上只剩下一只狗和两只猫,再没有别的生物。不过船上有大量的生活必需品,这样,我就干了起来。为了把那些东西运到这个岛的一个水湾里,我专门制造了一只木筏,还把岛上有淡水而且比较平坦的一块高地作了我的住所。面包、大米、大麦和小麦、干酪和羊肉干、糖、面粉、木板、圆木、绳子——所有这些,再加上几支滑膛枪、两支手枪、几支鸟枪、一把锤子,还有——那是最没有用的——三十六镑英币。所有这些东西我都一天又一天——在两次退潮之间一一从船上运到了岸上。到了第三十天夜里,我的搬运工作做完了,我躺下来时,虽然像平常一样害怕,但我心里也满怀感恩之情,因为我知道,我已为以后对付这个荒岛作好了准备而心里感到踏实了。

岛上有不少野果树,但这是我过了好久才发现的。岛上还有到处乱跑的山羊,但要不是我从船上取来了枪支弹药,它们对我又有何好处呢?因此,我有理由感谢仁慈的上帝,让船搁在海岸边,直至使我搬来了对我有用的一切东西。

要想确保我能在这个岛上生存下来,还有许多事情要做。我尽可能地相继办了几件我非办不可的事。但是我的努力并非总是交上好运道。我在第一次播下大麦和稻子的种子时,这些宝贵的存货就浪费了一半,原因是播种得不是时候。我辛辛苦苦花了几个月工夫,挖了几个地窖以备贮存淡水。花了四十二天时间,才把一棵大树砍劈成我的第一块长木板。我起劲地干了好几个星期,想制造一个捣小麦的石臼,最后却只好挖空了一大块木头。我足足花了五个月工夫,砍倒一棵大杉木,又劈又削,让它成了一只很像样的独木舟,以备用来逃离这个小岛,可结果却因为怎么也没法子使它下到海里去而不得不把它丢弃了。不过,每一桩失败的事,都教给了我以前不知道的一些知识。

至于自然环境,岛上有狂风暴雨,还有地震。我那时也对一切都适应了。我种植和收获了我的大麦和小麦;我采来野葡萄,把它们晒成了很有营养的葡萄干;我饲养温驯的山羊,然后杀了吃,又熏又腌的。由于食物这样多种多样,供应还算不差。如此过了十二个年头,其间,岛上除了我本人之外,我从来没见到过一个人迹。这样一直到了那重大的一天,我在沙滩上偶然发现了一个人的光脚印。

我当时好像挨了一个晴天霹雷。我侧耳倾听,回头四顾,可是什么也没听见,什么也没看见。我跑到海岸上,还下海去查看,可是总共就只有那么一个脚印!我惊吓到了极点,像一个被人跟踪追捕的人似地逃回到我的住处。一连三天三夜,我都不敢外出。

这是人怕人的最好说明!经过十二年的痛苦和苦干,十二年跟自然环境相抗争,竟然会因一个人的一只脚印而恐怖不安!但事情就是这样。 经过观察,我了解到这是那块大陆上的那些吃人生番的一种习惯。他们把打仗时抓来的俘虏带到这个岛上我很少去的那个地方,杀死后大吃一顿。有一天早晨,我从望远镜里看见三十个野蛮人正在围着篝火跳舞。他们已煮食了一个俘虏,还有两个正准备放到火上去烤,这时我提着两支上了子弹的滑膛枪和那柄大刀往下朝他们跑了去,及时救下了他们来不及吃掉的一个俘虏。我把我救下的这个人起名为"星期五",以纪念他是这一天获救的,他讲话的声音成了我在这个岛上二十五年来第一次听到的人声。他年轻,聪明,是一个较高级的部族的野蛮人,后来在我留在岛上的那段时间,他始终是我的个可靠的伙伴。在我教了他几句英语后,星期五跟我讲了那大陆上的事。我决定离开我的岛了。我们制造了一只船,这次不是在离海岸很远的地方造。正当我们差不多已准备驾船启航时,又有二十一个野蛮人乘着三只独木船,带了三个俘虏到这个岛上来开宴会了。其中一个俘虏是个白人,这可把我气坏了。我把两支鸟枪、四支滑膛枪、两支手枪都装上双倍弹药,给了星期五一把小斧头,还给他喝了好多甘蔗酒,我自己带上了大刀,我们冲下山去,把他们全杀死了,只逃走了四个野蛮人。

俘虏中有一个是星期五的父亲。那个白人是西班牙人,是我前几年看见的那艘在我的岛上触礁的船上的一个幸存者,当时我还从那艘船上取来了一千二百多枚金币,但对这些钱我毫不看重,因为它们并不比沙滩上的许多沙子更有价值。

我给了那个西班牙人和星期五的父亲枪支和食物,叫他们乘着我新造的船去把那艘西班牙船上遇难的水手们带到我的岛上来。正在等待他们回来时,有一艘英国船因水手闹事而在我的岛附近抛了锚。我帮那位船长夺回了他的船,跟他一起回到了英国。我们走时带走了两个也想回英国去的老实的水手,而让闹事闹得最凶的一些水手留在了岛上。后来,那些西班牙人回来了,都在岛上居留了下来。开始时他们双方争吵不和,但定居后,终于建立起了一个兴旺的殖民地,过了几年,我有幸又到那个岛上去过一次。

我离开那个岛时,已在岛上呆了二十八年两个月二十九天。我总以为我一到英国就会高兴不尽,没想到我在那里却成了一个异乡人。我的父母都已去世,真太令人遗憾了,要不我现在可以孝敬地奉养他们,因为我除了从那艘西班牙船上取来的一千二百个金币之外,还有两万英镑等待着我到一个诚实的朋友那儿去领取,这位朋友是一位葡萄牙船长,在我去干那项倒楣的差事之前,我委托他经营我在巴西的庄园。正是为了去干那差事,使我在岛上住了二十八年。我见他如此诚实,十分高兴,我决定每年付给他一百葡萄牙金币,并在他死后每年付给他儿子五十葡萄牙金币,作为他们终生的津贴。

我结了婚,生了三个孩子,我除了因为要到那个上面讲的我住过的岛上去看看,又作了一次航行之外,再没作漫游了。我住在这儿,为我不配得到的享受而心怀感激,决心现在就准备去作一切旅行中最长的旅行。如果说我学到了什么的话,那就是要认识退休生活的价值和祈祷在平静中过完我们的余日。笛福

作者简介

丹尼尔・笛福, 1660年生于英国,父亲是伦敦的一名商人。
1674年,年轻的笛福就开始学习当一名牧师。但他并不适合牧师这种工作,因为,正如他所创造出来的英雄鲁宾孙一样,他的生活充满了冒险与刺激。1683年,笛福曾被海盗俘虏过。这次的经历,再加上一名曾经在海上遇难的苏格兰水手的叙述,提供了笛福写作《鲁宾孙漂流记》这部脍炙人口的小说题材。虽然《鲁宾孙漂流记》一直到笛福将近六十岁时才出版,它依然为笛福带来历久不衰的声誉。还为笛福带来历久不表的声誉。继《鲁宾孙漂流记》的成功之后,接下来的五年之中,笛福又陆续写了四本书,包括《生命》、《冒险》、《红牌船长的海盗生涯》及《疫年大事记》。笛福逝世于1731年4月,享年70岁。

写作背景

这部小说是笛福受当时一个真实故事的启发而创作的。1704年苏格兰水手赛尔科克在海上与船长发生争吵,被船长遗弃在荒岛上,四年后被救回英国。赛尔科克在荒岛上并没有作出什么值得颂扬的英雄事迹。但笛福塑造的鲁滨孙却完全是个新人,成了当时中小资产阶级心目中的英雄人物,是西方文学中第一个理想化的新兴资产者形象。他表现了强烈的资产阶级进取精神和启蒙意识。

NO。2

Book Report

I have been reading a book for many days. The books name is CAT AND MOUSE IN A HAUNTED HOUSE. It is telling about Geronimo Stilton who is a newspaper mouse who runs newspaper in New Mouse City—the capital of Mouse island.

On one night of October, he decided to visit his aunt, Sweetfur. But he got lost when he was driving through the Dark Forest because of the foggy. Then his car was out of gas. He thought “I wish I was at home”.

Suddenly there was a lightning in the sky and he saw a big castle. When he walked closer to the front door, he saw two stone cats and a sign that says: To Canny Cat’s castle. The door bell was in one stone cat’s mouth. When Geronimo was deciding to go into the castle, it starts to rain, so he went into the castle……

At last Geronimo’s sister, little nephew Benjamin and his cousin Trap all came and helped him find out all of two little cat. They don’t want others to come into the castle because the castle is their ancestor Canny Cat’s. So they make many tricks.

After reading this story, I think it’s very interesting, and I had a lot of fun. My favorite character is Geronimo’s nephew Benjamin. Because he is very cute and clever, he always observes every detail. He found out the foot prink on the floor and the nail on the wall. In the story it shows Geronimo is a very timid mouse that always scared himself.

I like this story very much, so I’ll still read more this set of book.

❿ 写篇英语阅读报告,字数多些

《老人与海》阅读报告
Reading Report for "The old man and the sea"
《老人与海》是海明威于1951年在古巴写的一篇中篇小说,于1952年出版.是海明威最著名的作品之一.它围绕一位老年古巴渔夫,与一条巨大的马林鱼在离岸很远的湾流中搏斗而展开故事的讲述.它奠定了海明威在世界文学中的突出地位,这篇小说相继获得了1953年美国普利策奖和1954年诺贝尔文学奖.
"The old man and the sea" is a novella written by Hemingway in Cuba in 1951, was published in 1952. Hemingway is one of the most famous works. It revolves aroundan old Cuban fisherman, and a huge marlin far offshore in the Gulf Stream inwhich the narrator of the story. It established Hemingway's prominent position in world literature, this novel has won the 1953 Pulitzer prize in 1954 and the USANobel prize for literature.
《老人与海》写的是老渔夫圣地亚哥在海上的捕鱼经历:老人制服大马林鱼后,在返航途中又同鲨鱼进行惊险的搏斗.作品中的形象具有很强的象征意蕴,他用大马林鱼象征人生的理想和人类作为生命本身所不可避免的所具有的欲望,用鲨鱼象征无法摆脱的悲剧命运,用大海象征变化无常的人类社会,而狮子则是勇武健壮、仇视邪恶、能创造奇迹的象征,圣地亚哥则是人类中的勇士与强大势力搏斗的“硬汉子”代表,他那捕鱼的不幸遭遇象征人类总是与厄运不断抗争却无论如何都无法试图去改变命运.“一艘船越过世界的尽头,驶向未知的大海,船头上悬挂着一面虽然饱经风雨剥蚀却依旧艳丽无比的旗帜,旗帜上,舞着云龙一般的四个字闪闪发光——超越极限!”作者海明威是这样评价他的作品《老人与海》的.
"The old man and the sea" is written, the old fisherman Santiago at sea fishingexperience: the old uniform marlin, on the return voyage with shark thriller. The figures in her works has symbolic meaning is very strong, he used the big marlinsymbol of the ideal of life and human life as the inevitable with the symbol ofdesire, can not escape the tragic fate of sharks, sea symbol with constantly changing society, while the lion is the symbol of the chivalrous robust, hatred of evil, can create a miracle Santiago is, in human and powerful warriors fight "hard man", his fishing misfortune symbol of human is always with doom constantly struggle but in any case not to try to change the fate of. "A boat across the end of the world, into the unknown sea, the bow hanging on the side, though furrowed by rain and wind erosion is still colorful flags, banners, four words danced Yunlong general sparkling -- beyond the limit!" Author Hemingway commented on his work"the old man and the sea".

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